I made many tools to empower artists by automating parts of their previous workflows; chief amongst which were tools for the automation of screenshot capture for icon generation, gradient recolouring, texture atlasing, level design tools for terrains, texture generation, and procedural generation.

I represented Radical Forge at EGX 2023 on a GamesIndustry.biz panel called 'Technical art roles: What they are, and how to get one'.

I implemented gameplay features to enhance the combat experience in the game, such as picking up and throwing props.

I was able to work with Photon Quantum, a deterministic entity-component system, which inspired me to work on my own implementation of an ECS that utilises the latest C# language features.

Programmer on standalone (out-of-engine) tools using C# for ‘Star Citizen’ and ‘Squadron 42’.

My primary assignment was creating and maintaining a bespoke asset management solution with asset dependency visualisation and change tracker.

I also maintained a large pre-existing codebase for game-data authoring, along with maintaining core gameplay code in C++.

I can't remember why I finally decided on the project idea, but once I did, the first thing I made was a shader that could emulate the style and feel of a Game Boy game. I then used Pyxel Edit to create the pixel art tilesets used for the character, terrain, and mining minigame.

I especially enjoyed creating the procedural generation systems to firstly create the maps and then scatter minable resources underneath the rock. I created the entire game using a single entrypoint, as opposed to the Unity component based IoC (inversion of control).

Upon hearing the theme 'Keep it alive' I immediately recalled my days playing the "Healer" in MMORPG raids and wanted to create a UI-only version of my experiences.

I also explored new scripting methods to create abilities in RPG games, as I wanted to be able to create a system that would allow me to add multiple unique ways of healing your allies.

I'm very proud of the overall experience, primarily because of it’s difficulty. It may take several playthroughs to complete, but it is doable once you know what you are down.

For this Asteroids clone, the first thing I implemented was procedurally generated asteroid meshes. I then utilised Unity’s 2D physics engine to fling those asteroids into the centre of the arena.

After the code test concluded, I added Discord integration via the Discord SDK.

I was inspired by Agar.io and other in-browser multiplayer games create my own ".io" style game. To do so, I used Blazor WebAssembly to create a realtime game client that connects to an ASP.NET Core server via WebSockets.

For this Global Game Jam, I decided to meet up with some co-workers from TT Games. We were inspired by games like 'Little Alchemy' where the player has to combine elements together to discover new elements, and 'Animal Crossing: New Horizons' to create a game where you create the life to populate a desolate world.

We worked in Unity, where I created the inventory, crafting, and world interaction systems, along with the shader to warp the world over the horizon.

For this Global Game Jam, I connect with a team of developers from all over the industry. After a chaotic and fun ideas generation session, we decided to make a game that emulates the experience of digging around in the cracks of your sofa.

I implemented a tutorial system to introduce the players to the mechanics and a dialogue system that would guide players through the interactive experience.

For this Global Game Jam, I went to the Unity office in Brighton and formed a team. This was my first game jam in a team, and it’s an experience I will never forget. We decided to create a game where the player would remote control a drone via a spacestation CCTV system.

I implemented the character controller, camera controllers, glitching UI, and transitions between cameras.